WordType Designs
Driven To Distractions©
The Sound of One Hand Clapping©


A rchive Date
[ 04-06-2000 ]
Category
[ Philosophy ]
sub-Categoy
[ Cultures ]

      [http://www.edge.org/3rd_culture/wqc/index.html

      The Third Culture
      THE WORLD QUESTION CENTER
      Dedicated to the Memory of James Lee Byars
      1932-1997

      Introduction by
      John Brockman

      Everything has been explained. There is nothing left to consider. The explanation can no longer be treated as a definition. The question: a description. The answer: not explanation, but a description and knowing how to consider it. Asking or telling: there isn't any difference.

      The final elegance: assuming, asking the question. No answers. No explanations. "Why do you demand explanations? If they are given, you will once more be facing a terminus. They cannot get you any further than you are at present."1 The solution: not an explanation: a description and knowing how to consider it.

      Experience a minute. Experience an hour. Can you experience a minute and an hour together, simultaneously, at the same time? This is an important question to ask.

      No explanation, no solution, but consideration of the question. "Every proposition proposing a fact must in its complete analysis propose the general character of the universe required for the fact."2 The description, the proposition: not a definition, but a commission. "Understanding a commission means: knowing what one has got to do."3

      Any new style, any new life, any new world, is but a god where gods are no longer valid. "The god that one so finds is but a word born of words, and returns to the word. For the reply we make to ourselves is assuredly never anything other than the question itself."4

      "Our kind of innovation consists not in the answers, but in the true novelty of the questions themselves; in the statement of problems, not in their solutions."5 What is important is not "to illustrate a truthóor even an interrogationóknown in advance, but to bring to the world certain interrogations . . . not yet known as such to themselves."6

      A total synthesis of all human knowledge will not result in fantastic amounts of data, or in huge libraries filled with books. There's no value any more in amount, in quantity, in explanation. For a total synthesis of human knowledge, use the interrogative. Ask the most subtle sensibilities in the world what questions they are asking themselves. - from By the Late John Brockman, 1969 ---

      In
      EDGE 19, I presented a eulogy to honor my friend and collaborator of sorts, the artist James Lee Byars, who died in Egypt last May.

      I met Byars in 1969 when he sought me out after the publication of my first book, By the Late John Brockman. We were both in the art world, we shared an interest in language, in the uses of the interrogative, in avoiding the anesthesiology of wisdom, and in "the Steins" ó Einstein, Gertrude Stein, Wittgenstein, and Frankenstein. In 1971, our dialogue, in part, informed the creation by James Lee of the WORLD QUESTION CENTER.

      I wrote the following about his project at the time of his death:

      "James Lee inspired the idea that led to the Reality Club (and subsequently to EDGE), and is responsible for the motto of the club. He believed that to arrive at an axiology of societal knowledge it was pure folly to go to a Widener Library and read 7 million volumes of books. (In this regard he kept only four books at a time in a box in his minimally furnished room, replacing books as he read them.) This led to his creation of the World Question Center in which he planned to gather the 100 most brilliant minds in the world together in a room, lock them behind closed doors, and have them ask each other the questions they were asking themselves. The expected result, in theory, was to be a synthesis of all thought. But between idea and execution are many pitfalls. James Lee identified his 100 most brilliant minds (a few of them have graced the pages of this Site), called each of them, and asked what questions they were asking themselves. The result: 70 people hung up on him."

      That was in 1971. New technologies=new perceptions. The Internet and email now allow for a serious implementation of Jimmy Lee's grand design and I am pleased to note that among the contributors are Freeman Dyson and Murray Gell-Mann, two names on his 1971 list of "the 100 most brilliant minds in the world."

      For the first anniversary edition of EDGE I asked a number of those people I consider to be part of "the third culture" to use the interrogative. I have asked "the most subtle sensibilities in the world what questions they are asking themselves."

      I am pleased to present the World Question Center.

      -JB

      [Note: A selection from the World Question Center ran in the New York Times (Tuesday, December 30th) and on the New York Times on the Web

      "The World Question Center Part 2" January 12, 1998...
      "The World Question Center Part 1" January 1, 1998.]


Some pages may require Adobe Acrobat Reader



Copyright and Fair Use Information: The contents of this web site is protected by international copyright laws and may not be reproduced in any form or manner whatsoever, if for the purpose of resale or solicitation of a donation. The essays included here, may be reproduced only if: 1)They are not altered in any way; 2) reproductions must be accompanied by this copyright page ; and 3) it is given freely and without charge.
Fair use: The fair use of copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified in above sections, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright. In determining whether the use made of a work in any particular case is fair use the factors to be considered include : (1) the purpose and character of the use, including whether the use is of a commercial nature or is for nonprofit educational purposes; (2) the nature of the copyrighted work; (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole, and; (4) the effect of the use upon the potential market value of the copyrighted work.

Home | About Narrative? |Contact
Copyright © 2025. All Rights Reserved
HAG122125 (1998 -2026)